http://www.jessicascottfelder.com/home daily 1.0 2019-06-02 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1540854217889-JK0P1GEZQH6T6A1TXBEX/Three+Pt.+14.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1540856098158-QY50C3GM3504TFYWTRA7/Three+Pt.+Perspective+12.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1540854217889-JK0P1GEZQH6T6A1TXBEX/Three+Pt.+14.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259414244-JGKWYBBK56XOOP9RWJXP/Chairs+Installed+Studio.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1409119888065-WECNXE8B4VSRI7Q0ZV09/Preserving+History+Front+2+72+Small.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259197973-F0ITF14T96M3MQ9X43F2/High+Chairs.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259199428-3HJP3T5XTSSMLFAAJH8E/Harriet+Install.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259363139-U83TZEFE68IPP3VP8PI2/DSC_0848.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259378609-PFHVQIO73L7DWE4862R4/DSC_0267.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1403843285109-Y9R3F4RGXG0RS9CI37GF/Sankofa+72.jpg Jessica Scott-Felder - Sankofa. 2014. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259408287-6HGNM0CDVZQ53EQ1LM0X/VanityChairsDT3.jpg Jessica Scott-Felder https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259423545-XOVMIYHCKQIOIQAN0BDD/Interior+Installed.jpg Jessica Scott-Felder http://www.jessicascottfelder.com/mood daily 0.75 2014-06-30 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1404157920807-ABZ6KBQEFN7B71O775YU/1_ScottFelder_Jessica.jpg M.O.O.D. - Stuffy Lou’s Mulberry Wine. 2014. Silverpoint on paper. 18 x14 inches. Manifestation of Our Destiny (M.O.O.D.) M.O.O.D. is based on the universal pursuit of the American dream of business ownership. After beginning research on my ancestry of African-American, Irish, Cherokee and Filipino decent I have found that entrepreneurship was a common thread. I became intrigued by the desire to be self-employed that many Americans of various backgrounds shared. Starting with the Plaza, my grandfather’s jazz club, I am currently creating drawings from found photographs of the ancestors’ businesses in order to identify cultural, physical and psychological commonalities shared within the each businesses’ space while simultaneously evoking the essence of the community in which they exist. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1404157920807-ABZ6KBQEFN7B71O775YU/1_ScottFelder_Jessica.jpg M.O.O.D. - Stuffy Lou’s Mulberry Wine. 2014. Silverpoint on paper. 18 x14 inches. Manifestation of Our Destiny (M.O.O.D.) M.O.O.D. is based on the universal pursuit of the American dream of business ownership. After beginning research on my ancestry of African-American, Irish, Cherokee and Filipino decent I have found that entrepreneurship was a common thread. I became intrigued by the desire to be self-employed that many Americans of various backgrounds shared. Starting with the Plaza, my grandfather’s jazz club, I am currently creating drawings from found photographs of the ancestors’ businesses in order to identify cultural, physical and psychological commonalities shared within the each businesses’ space while simultaneously evoking the essence of the community in which they exist. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1403842257379-SPSK203914YEOO5WEEKN/2_ScottFelder_Jessica.jpg M.O.O.D. - Pack’d My Bags. 2014. Silverpoint on Paper. 18 x 12 inches. Manifestation of Our Destiny (M.O.O.D.) M.O.O.D. is based on the universal pursuit of the American dream of business ownership. After beginning research on my ancestry of African-American, Irish, Cherokee and Filipino decent I have found that entrepreneurship was a common thread. I became intrigued by the desire to be self-employed that many Americans of various backgrounds shared. Starting with the Plaza, my grandfather’s jazz club, I am currently creating drawings from found photographs of the ancestors’ businesses in order to identify cultural, physical and psychological commonalities shared within the each businesses’ space while simultaneously evoking the essence of the community in which they exist. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1403842259431-VAL227NYMUT147WC4U30/3_ScottFelder_Jessica.jpg M.O.O.D. - One for My Baby. 2014. Silverpoint on Paper. 12 x 18 inches. Manifestation of Our Destiny (M.O.O.D.) M.O.O.D. is based on the universal pursuit of the American dream of business ownership. After beginning research on my ancestry of African-American, Irish, Cherokee and Filipino decent I have found that entrepreneurship was a common thread. I became intrigued by the desire to be self-employed that many Americans of various backgrounds shared. Starting with the Plaza, my grandfather’s jazz club, I am currently creating drawings from found photographs of the ancestors’ businesses in order to identify cultural, physical and psychological commonalities shared within the each businesses’ space while simultaneously evoking the essence of the community in which they exist. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1403842259416-UP9YMOG1A3BP8GTIUO94/4_ScottFelder_Jessica.jpg M.O.O.D. - We Three Kings. 2014. Silverpoint on Paper. 12 x 18 inches. Manifestation of Our Destiny (M.O.O.D.) M.O.O.D. is based on the universal pursuit of the American dream of business ownership. After beginning research on my ancestry of African-American, Irish, Cherokee and Filipino decent I have found that entrepreneurship was a common thread. I became intrigued by the desire to be self-employed that many Americans of various backgrounds shared. Starting with the Plaza, my grandfather’s jazz club, I am currently creating drawings from found photographs of the ancestors’ businesses in order to identify cultural, physical and psychological commonalities shared within the each businesses’ space while simultaneously evoking the essence of the community in which they exist. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1403842264243-6CZ3GJR45XW9V7VZTY5W/5_ScottFelder_Jessica.jpg M.O.O.D. - Heaven. 2014. Silverpoint on Paper. 24 x 36 inches. Manifestation of Our Destiny (M.O.O.D.) M.O.O.D. is based on the universal pursuit of the American dream of business ownership. After beginning research on my ancestry of African-American, Irish, Cherokee and Filipino decent I have found that entrepreneurship was a common thread. I became intrigued by the desire to be self-employed that many Americans of various backgrounds shared. Starting with the Plaza, my grandfather’s jazz club, I am currently creating drawings from found photographs of the ancestors’ businesses in order to identify cultural, physical and psychological commonalities shared within the each businesses’ space while simultaneously evoking the essence of the community in which they exist. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1403842261185-FVQACJVZQNS5GTDIYW6U/6_ScottFelder_Jessica.jpg M.O.O.D. - Brickhouse. 2014. Silverpoint on Paper. 12 x 18 inches. Manifestation of Our Destiny (M.O.O.D.) M.O.O.D. is based on the universal pursuit of the American dream of business ownership. After beginning research on my ancestry of African-American, Irish, Cherokee and Filipino decent I have found that entrepreneurship was a common thread. I became intrigued by the desire to be self-employed that many Americans of various backgrounds shared. Starting with the Plaza, my grandfather’s jazz club, I am currently creating drawings from found photographs of the ancestors’ businesses in order to identify cultural, physical and psychological commonalities shared within the each businesses’ space while simultaneously evoking the essence of the community in which they exist. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1403842269971-RZ9PDL67CW1MCNXBZDQ0/Sankofa.jpg M.O.O.D. - Sankofa. 2014. Silverpoint on Paper. 24 x 24 inches. Manifestation of Our Destiny (M.O.O.D.) M.O.O.D. is based on the universal pursuit of the American dream of business ownership. After beginning research on my ancestry of African-American, Irish, Cherokee and Filipino decent I have found that entrepreneurship was a common thread. I became intrigued by the desire to be self-employed that many Americans of various backgrounds shared. Starting with the Plaza, my grandfather’s jazz club, I am currently creating drawings from found photographs of the ancestors’ businesses in order to identify cultural, physical and psychological commonalities shared within the each businesses’ space while simultaneously evoking the essence of the community in which they exist. http://www.jessicascottfelder.com/chairs daily 0.75 2021-11-21 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394260701283-4W6UY4T746BE54077GPQ/Babys+Grand+Gold.jpg Chairs - Baby's Grand. Year: 2009. Medium: Gold leafing and colored pencil on paper. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394170476056-4BJNJ4J82YRNY8LP56S4/Chairs+72.jpg Chairs - Chairs. Year: 2009. Medium: Charcoal on paper. Size: 15ft. x 8ft. Jessica's grandmother's living room has been a focal point of her work. She is visually exploring the suggestive qualities of furniture placement. Many of the images were derived from “Last Year at Marienbad,” a French New Wave film written by Alain Rob Grillet. Grillet’s writings are rife with visual descriptions; much of them were dedicated to describing the placement of objects and how those placements are suggestive of relationships between people. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394170855922-WX5XPC02HCVZ4941MFQZ/Chairs+Installed+Studio.jpg Chairs - Chairs (Installed). Year: 2009. Medium: Charcoal on paper. Size: 15ft x 8 ft. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394170863264-NSWB6BO304W3Z85CL26J/Interior+Space.jpg Chairs - Interior. Year: 2009. Medium: Charcoal on paper. Size: 10ft x 10ft. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394170857621-Y2CSUI6UMCRF4WC4S8EM/Interior+Installed.jpg Chairs - Interior (Installed). Year: 2009. Medium: Charcoal on paper. Size: 10ft x 10ft.   https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394171225356-RJARQL3CIG7ZZXD8D2ZJ/25+JScottFelder+High+Chairs_5ftx8ft.jpg Chairs - Tall Chairs. Year: 2009. Medium: Charcoal on paper. Size: 3 ft x 8 ft. Drawing from living room furniture that was often considered off limits, I am drawing living room furniture as eight feet tall structures to ensure that no one would be able to sit on them. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394170857579-JPB50Y4V84560T7OMOS0/Install+of+Chairs+and+Tall+Chairs.JPG Chairs - Tall Chairs & Chairs (Installed). https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394170859470-YL8RS1VPNUHZMHS6Q2J2/Vanity.jpg Chairs - Vanity. Year: 2009. Medium: Charcoal on paper. Size: 2ft x 3ft. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394170866302-T2VYIBI6LU12GRJOJJEC/VanityChairsDT3.jpg Chairs - Vanity (Detail). https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394171224380-ULSHUZI4NEJ7N72BH3N4/23+JScottFelder+Above_2ftx12ft.jpg Chairs - Above. Year: 2009. Medium: Charcoal on paper. Size: 2ft x 12ft. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394171224762-5P8FMZO3ARKATH580CR1/24+JScottFelder+Piano_15ftx8ft.jpg Chairs - Piano. Year: 2009. Medium: Charcoal on paper. Size: 12ft x 8ft. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394171221831-1IS62N8B048OWZPWX2KZ/18+JScottFelder+Accent+Boston_11ftx9ft.jpg Chairs - Accent. Year: 2009. Medium: Charcoal on canvas. Size: 11ft x 9ft. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394171218917-3HU06PZQXHGNV5PJ8ZEP/17+JScottFelder+Accent+Boston_Detail.JPG Chairs - Accent (Detail). Year: 2009. Medium: Charcoal on canvas. Size: 11ft x 9ft. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394171220645-6FJZ3WK0BGS00F9DMQ44/19+JScottFelder+Pink+Chair_3ftx12ft.jpg Chairs - Pink Chair. Year: 2009. Medium: Paint on wood panel. Size: 3ft x 12ft. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394171225266-A6313LFOZR2R1J57BU7E/22+JScottFelder+Recital_4inx6in.jpg Chairs - Recital. Year: 2009. Medium: Encaustic on wood panel. Size: 4in x 6in. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394171222258-82M3BWWUBD97NDEMKDAM/20+JScottFelder+Green+Chair_4inx6in.jpg Chairs - Green Chair. Year: 2009. Medium: Encaustic on wood panel. Size: 4in x 6in. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394171223979-81NXCSOYF93BNFYMVHLL/21+JScottFelder+Black+Chair_4inx6in.jpg Chairs - Black Chair. Year: 2009. Medium: Encaustic on wood panel. Size: 4in x 6in. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394260701283-4W6UY4T746BE54077GPQ/Babys+Grand+Gold.jpg Chairs - Baby's Grand. Year: 2009. Medium: Gold leafing and colored pencil on paper. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394260702306-B3KVZLDAHC0CBBV0Q16E/Babys+Grand+Gold+DETAIL.jpg Chairs - Baby's Grand (Detail). Year: 2009. Medium: Gold leafing and colored pencil on paper. Size: 27 in x 19 in. Based on interactions between the performer and the audience. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394260705218-NPF6YAZ2CU9O0HTH5NCG/Her+Mothers+Eyes+Gold.jpg Chairs - Her Mother's Eyes. Year: 2009. Medium: Gold leafing and colored pencil on paper. Size: 27 in x 19 in. Based on interactions between the performer and the audience. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394260705430-96JW9ETZZUCAIXYJQWV9/Sitting+Pretty.jpg Chairs - Sitting Pretty. Year: 2009. Medium: Gold leafing and colored pencil on paper. Size: 27 in x 19 in. Based on interactions between the performer and the audience. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394260703002-BMWU8665X76J5XJ45DJR/Gold+Chairs+Nothing+But+You.jpg Chairs - Nothing But You. Year: 2009. Medium: Gold leafing and colored pencil on paper. Size: 27 in x 19 in. Based on interactions between the performer and the audience. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394260704153-AGHAHXCW16YDLFNY3RFD/Gold+Chairs+The+Universe+is+Calling+You.jpg Chairs - The Universe is Calling You. Year: 2009. Medium: Gold leafing and colored pencil on paper. Size: 27 in x 19 in. Based on interactions between the performer and the audience. http://www.jessicascottfelder.com/installation daily 0.75 2021-11-21 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541023443091-ID9TFWTMRZVEF8GR11T2/Black+Matter+4.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541023443091-ID9TFWTMRZVEF8GR11T2/Black+Matter+4.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541026450925-QKRNGVD51YHO8DTN1031/image-asset.jpeg Installation - Black Matter. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541026470715-EY30Q58B4BHFGISR6SXL/Black+Matter+13.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541026490331-BOAUWPWTFO7RU5NU3XDI/Black+Matter+11.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541026510303-DUU1N8NORCNLQA13EH98/Black+Matter+10.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541026528203-MXW3XCZFKLUF8N3IMWBV/image-asset.jpeg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541026550518-NA5BOBYY1N1K1TK5NXRF/Black+Matter+44.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1540856357758-BYPV1EJJ6AXT7238EN7S/Three+Pt.+Perspective+10.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1540854355707-64QQ7LWYPOHQ2CYYJE9O/Three+Pt.+14.jpg Installation - Three-Point Perspective, 2018. Installation of “Three-Point Perspective” Exhibition at the Wofford College Richardson Gallery, Richardson Center of the Arts. The works from Three-Point Perspective consists of drawings, digital collages and installations based on living rooms, American legends, theories on black hole dynamics and visuals from Afrofuturist writings. It is through these multidisciplinary areas of inquiry resolve the story of “The Flying Africans” and explore areas of Afrofuturist perspectives. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1540855684365-48OS5QP3QLXBY05CGCYS/Three+Pt.+Perspective+6.jpg Installation - Africa is Lit, Y'all, 2018. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1540856780709-G7P8CDXEX8HWQF8BRKP9/Three+Pt.+Perspective+7.jpg Installation - Muse, 2018. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1540856325229-SSZEQMU6CH426258N86Y/Three+Pt.+Perspective+11.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448240404074-F8NJHDK2TQ02J9MW7LCA/image-asset.jpeg Installation - Passage of Sankofa & Nkonsonkonson (a two-part installation) for Flux Night 2015: Dream During the mid 1960s, the students of Spelman College played an integral role in the Civil Rights Movement by organizing and participating in the sit-ins throughout Atlanta. Inspired by this history, Passages of Sankofa utilizes the singers from the Spelman College Glee Club to perform Part One of this artwork. Nkonsonkonson, a Ghanaian Adinkra symbol meaning unity, is the inspiration for Part Two of this artwork – a series of life-sized charcoal drawings of Civil Rights and community leaders stand together with arms linked in the backyard of the Martin Luther King, Jr. birth home. Local and national community leaders' faces from the Instagram campaign: #strengthinunityproject were also integrated into this mural. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448240460308-L0YJ2VI9TFQ6A2I0A4JA/JScottFelder_17.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448240471750-DL6AW63DQZXLRCQZW0I0/JScottFelder_18.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448240506501-WUKPKA0BOK1F9GX8XJQT/JScottFelder_20.jpg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448241212892-266XXOS73SX3K6B6XTEQ/image-asset.jpeg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448241905436-OVQHSG4CRX9BE0NKOORD/image-asset.jpeg Installation https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1409121304671-0OEJZQVV51IDY0R76HM3/Sofa+Far+Vibrance+72+Small.jpg Installation - Preserving History. Year: 2014 Installation at Spelman College. Plastic wrap, Antique sofa, wood, lights, paper, and paint. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1409120590171-WZJPGRCSID7X8OD9IN6F/Preserving+History+Front+2+72+Small.jpg Installation - Preserving History. Year: 2014 Installation at Spelman College. Plastic wrap, Antique sofa, wood, lights, paper, and paint. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1409120704487-7ESTOSM6W197WQAZ209A/Preserving+History+Left+Side+72+Small.jpg Installation - Preserving History. Year: 2014 Installation at Spelman College. Plastic wrap, Antique sofa, wood, lights, paper, and paint. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1409120597576-3GLF8X7F3UZSAECCKZD3/Preserving+History+Sofa+Leg+72+Small.jpg Installation - Preserving History. Year: 2014 Installation at Spelman College. Plastic wrap, Antique sofa, wood, lights, paper, and paint. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1409120273849-T95BDRZ2VFT6QGKQHUSI/Preserving+History+Fred+Doug+72+Small.jpg Installation - Preserving History. Year: 2014 Installation at Spelman College. Plastic wrap, Antique sofa, wood, lights, paper, and paint. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1409120137054-AK69HKXJTABWX947BMAD/image-asset.jpeg Installation - Preserving History. Year: 2014 Installation at Spelman College. Plastic wrap, Antique sofa, wood, lights, paper, and paint. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1402458951663-JHAHQBEB7TQLDQRYTHPL/DSC_0365.jpg Installation - Spring House 2014. Chandeliers in the Spring House at the Hambidge Artist Residency Where there was once darkness, now there is light. What was once cold, now has warmth. Inspired by the life of Maya Angelou. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1402459190433-ABTZ0YBX07E2QEBDJW7K/DSC_0389.jpg Installation - Spring House. 2014. Chandeliers in the Spring House at the Hambidge Artist Residency Where there was once darkness, now there is light. What was once cold, now has warmth. Inspired by the life of Maya Angelou. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1402459225328-IXO7H4IT5L5P00XY5YSE/DSC_0378.jpg Installation - Spring House. 2014. Chandeliers in the Spring House at the Hambidge Artist Residency Where there was once darkness, now there is light. What was once cold, now has warmth. Inspired by the life of Maya Angelou. http://www.jessicascottfelder.com/beforeandafter daily 0.75 2021-11-21 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259199428-3HJP3T5XTSSMLFAAJH8E/Harriet+Install.jpg Before & After https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259199428-3HJP3T5XTSSMLFAAJH8E/Harriet+Install.jpg Before & After https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259873330-A2E48M5J80H0IT4W12L6/Before+and+After+Header+Image.jpg Before & After - Harriet Series. An antique chair was reupholstered in leather to honor Harriet Tubman. Under the chair is a compass rose pointing north. Historically on maps for seamen it represents travel on boat. A halo-like chandelier hangs low above Tubman's head to acknowledge a pseudo sainthood. A canopy represents nocturnal travel. While learning about the style of chairs that Jessica implemented in her drawings, she became intrigued by the nomenclature given to various styles of furniture, such as “Louis XV.” The names given to these objects were ways of pay homage to people of significance. Jessica reupholstered a replica of a French provincial ladies’ slipper chair in leather and titled it “Harriet”, to reflect the connection between the material and the narrative. This piece serves as documentation of her process. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259827397-WMA0MZKH5F0L026ZKNEK/Harriet.jpg Before & After - Harriet. Year: 2012 Medium: Silver leafing & silver pencil on paper/wood panel. Size: 6 in. x 4 in. While learning about the style of chairs that I have implemented in my drawings, I became intrigued by the nomenclature given to various styles of furniture, such as “Louis XV.” The names given to these objects were ways of pay homage to people of significance. I reupholstered a replica of a French provincial ladies’ slipper chair in leather and titled it “Harriet”, to reflect the connection between the material and the narrative. This piece serves as documentation of my process. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259826906-TZBWU8Y8XFABLJHNARH3/Ancestry.jpg Before & After - Ancestry. Year: 2012. Medium: Silver & leafing silver pencil on paper/wood panel. Size: 36 in. x 24 in. Based on recurring physical and psychological interactions with ancestors from the past. In "Ancestry" relatives take several forms in both literal (through their actual presence) and subconscious manifestations (through memories and dreams of them). https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259823950-XOEZM7W6A6K87CRCNMU4/Conversation_.jpg Before & After - Conversation. Year: 2012 Medium: Silver leafing & silver pencil on paper/wood panel. Size: 36 in. x 24 in. In “Conversation”, the ancestor/descendant and speaker/listener dynamics are suggested by the placement of the chairs and the chairs’ positioning- they were placed so that they would face and confront the viewer. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394257283181-7U2334JV3DQ0VO6MK3F3/IMG_7606.jpg Before & After - Her Children. Year: 2009 Medium: Installation with found framed art. Size: Varied dimensions. Harriet Tubman played an maternal role to the lives of others. The children in these found framed art peices pay homage to her service and sacrafices. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394257056574-9B79ZB6O6FHHVRBF5CH1/High+Chairs.jpg Before & After https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394256983347-IP1X4CQC3H8OJ3OB2ZNA/High+Chairs+at+the+Jepson.jpg Before & After - The High Chairs. Year: 2013. Medium: Installation. Size: Varied Dimensions. This installation is based on living room furniture found in the parlor of American homes. Often off-limits the living room was primarily utilized during special events. With the chairs wrapped in plastic for protection, the furniture was not used for casual use. Additionally, children were not allowed to sit on the living room furniture. The legs in "The High Chairs" were made 8-feet tall in order to allow ancestors to sit above successors. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394256983470-TGJGDUTPEUBTTCNH4FE9/High+Chairs+with+Richard+Hunt.jpg Before & After https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394335506606-7V2BQNUQ30PNMPZC0R04/ScottFelder_J_Telfair_01.jpg Before & After - The High Chairs (Installation Draft). A draft of the High Chairs installation. Created in Google Sketchup. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394335533133-8L7W5SBSQ6Z4FV8AN1GV/ScottFelder_J_Telfair_02.jpg Before & After - The High Chairs (Installation Draft). A draft of the High Chairs installation. Created in Google Sketchup. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394258374762-3QBHCGNXLGAIO410KCET/DSC_0464.JPG Before & After - High Chair (Outdoor Installation). https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394258372036-D4K8709UDQ5C0FHKC4GF/WallPaper+Garden+Chair+72+8+x+10.jpg Before & After - High Chair (Outdoor Installation). http://www.jessicascottfelder.com/updatesnews daily 0.75 2014-07-01 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394307256605-O1PO2EFCU4CLJSDQ3X11/Hambidge1about.jpg Updates/News http://www.jessicascottfelder.com/updatesnews/category/Residency monthly 0.5 http://www.jessicascottfelder.com/digital daily 0.75 2023-01-03 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448237575924-YS7FVLC9BBVX5WBDY0XL/image-asset.jpeg Digital - Punu Mask / Victorian Home. Year: 2013 Medium: Low resolution digital collage. Size: 300 px x 300 px.   "The spirit of African expression, by and large-is disciplined, sophisticated, laconic and fatalistic. " The Legacy of the Ancestral Arts -Alain Locke   In Punu Mask / Victorian Home by merging cross-cultural images of a living room dwelling a historical hybrid is created. Digital collage of the ancestral Punu mask combined with a Victorian furniture. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448237575924-YS7FVLC9BBVX5WBDY0XL/image-asset.jpeg Digital - Punu Mask / Victorian Home. Year: 2013 Medium: Low resolution digital collage. Size: 300 px x 300 px.   "The spirit of African expression, by and large-is disciplined, sophisticated, laconic and fatalistic. " The Legacy of the Ancestral Arts -Alain Locke   In Punu Mask / Victorian Home by merging cross-cultural images of a living room dwelling a historical hybrid is created. Digital collage of the ancestral Punu mask combined with a Victorian furniture. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448237637118-OUZYFTM1BBOEEOD2IEW3/image-asset.jpeg Digital - African Countenance / Victorian Ancestry. Year: 2013. Medium: Low resolution digital collage.   “All have looked upon the African countenance and discovered a beauty that calls for a distinctive idiom both of color and modeling.” The Legacy of the Ancestral Arts -Alain Locke   In African Countenance / Victorian Ancestry the merging cross-cultural imagery creates a historical hybrid. Digital collage of the matriarchal and ancestral Punu mask combined with a Victorian neck collar. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448237658627-57O1GL5IONS4BPREID29/image-asset.jpeg Digital - Victorian Ancestry II. Diptych. Year: 2015. Medium: Digital collage. “All have looked upon the African countenance and discovered a beauty that calls for a distinctive idiom both of color and modeling.” The Legacy of the Ancestral Arts -Alain Locke In African Countenance / Victorian Ancestry the merging cross-cultural imagery creates a historical hybrid. Digital collage of the matriarchal and ancestral Punu mask combined with a Victorian neck collar. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448237673661-YSB6KS5IEY1B9ZN2W9KH/Victorian+Ancestry+III.jpg Digital - Victorian Ancestry II. Diptych. Year: 2015. Medium: Digital collage. “All have looked upon the African countenance and discovered a beauty that calls for a distinctive idiom both of color and modeling.” The Legacy of the Ancestral Arts -Alain Locke In African Countenance / Victorian Ancestry the merging cross-cultural imagery creates a historical hybrid. Digital collage of the matriarchal and ancestral Punu mask combined with a Victorian-inspired neck collar. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448237751515-EKOZ1MS8K8ZFFU8G7936/image-asset.jpeg Digital - Twilight I - Demoiselle dBleue. Year: 2015. Medium: Digital collage.   “All have looked upon the African countenance and discovered a beauty that calls for a distinctive idiom both of color and modeling.” The Legacy of the Ancestral Arts -Alain Locke   In African Countenance / Victorian Ancestry the merging cross-cultural imagery creates a historical hybrid. Digital collage of the matriarchal and ancestral Fang mask combined with a Victorian neck collar. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448237771198-NCHO0QWF1XXCPAOBYLMC/Twilight+II+-+Childs+Play.jpg Digital - Child's Play. Year: 2015. Medium: Digital collage.   “All have looked upon the African countenance and discovered a beauty that calls for a distinctive idiom both of color and modeling.” The Legacy of the Ancestral Arts -Alain Locke   In African Countenance / Victorian Ancestry the merging cross-cultural imagery creates a historical hybrid. Digital collage of the matriarchal and ancestral Dan mask combined with a Victorian neck collar. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448238012499-UO2M7DFPSOYJBD1B6KEU/Magenta+for+CMYK+For+Web.jpg Digital - Ethnique Majestueux. Year: 2015. Medium: Digital collage.   “All have looked upon the African countenance and discovered a beauty that calls for a distinctive idiom both of color and modeling.” The Legacy of the Ancestral Arts -Alain Locke   In African Countenance / Victorian Ancestry the merging cross-cultural imagery creates a historical hybrid. Digital collage of the matriarchal and ancestral Baule Male Portrait (Mblo) mask combined with a Victorian neck collar. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448238034874-EAA8S98293WFFJAQQUBH/Print+Auktion+Tribal+Mask+CMYK+for+Web.jpg Digital - Patriarch. Year: 2015. Medium: Digital collage.   “All have looked upon the African countenance and discovered a beauty that calls for a distinctive idiom both of color and modeling.” The Legacy of the Ancestral Arts -Alain Locke   In African Countenance / Victorian Ancestry the merging cross-cultural imagery creates a historical hybrid. Digital collage of the matriarchal and ancestral Dan mask combined with a Victorian neck collar. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1448240239847-3T16MHSJCQ53KUUJPR1X/American+Warrior+with+shadow_72_800inches_RGB.jpg Digital - American Warrior. Year: 2015. Medium: Digital collage. “All have looked upon the African countenance and discovered a beauty that calls for a distinctive idiom both of color and modeling.” The Legacy of the Ancestral Arts -Alain Locke In African Countenance / Victorian Ancestry the merging cross-cultural imagery creates a historical hybrid. Digital collage of the matriarchal and ancestral Dan mask combined with an Ankara print scarf to commemorate the Buffalo Soldiers of the late 1800s. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1672717324841-UNKY0XEKOWQL041GZDKR/image-asset.jpeg Digital - Antique'd. Screenshot from Uncharted 4 on Playstation 4. 2016. As an artist and gamer, I have always found video games to be a form of philosophy – sharing one’s interpretation of life through a programmed space. As technology has broadened how we experience games, it has been exciting to see what aspects of life are being included in virtual environments. This screen capture references one of the many objects present in my work - antique furniture. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1672717677250-HDSVCTQLZ4RMWKMXZKPS/Uncharted+4_+A+Thief%E2%80%99s+End%E2%84%A2_20161229230754.jpg Digital - Culture'd. Screenshot from Uncharted 4 on Playstation 4. 2016. As an artist and gamer, I have always found video games to be a form of philosophy – sharing one’s interpretation of life through a programmed space. As technology has broadened how we experience games, it has been exciting to see what aspects of life are being included in virtual environments. This screen capture references the conversation of repatriation. The point of the game takes place in a mansion. I could not help but think about the possible scenarios of how this work entered this virtual home and if repatriation should be reconciled in virtual narratives as well. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1672717677208-IGRBRHIHQRAVUD0LYQNW/Uncharted+4_+A+Thief%E2%80%99s+End%E2%84%A2_20161229231928.jpg Digital - Mother'd. As an artist and gamer, I have always found video games to be a form of philosophy – sharing one’s interpretation of life through a programmed space. As technology has broadened how we experience games, it has been exciting to see what aspects of life are being included in virtual environments. This screen capture references the conversation of repatriation. The point of the game takes place in a mansion. I could not help but think about the possible scenarios of how this work entered this virtual home and if repatriation should be reconciled in virtual narratives as well. This virtual sculpture image is in reference to the Mother Breastfeeding Spirit figure by the Baule people of the Ivory Coast, West Africa. (K. Goodchild) https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1672719828153-62PK6RZIV0C8GIXF64FQ/scottfelder_closeencounter_04.jpg Digital https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1672717677911-4R46ZQFMU1QI2MVH4W4M/Uncharted+4_+A+Thief%E2%80%99s+End%E2%84%A2_20161229232433.jpg Digital - Collect'd. As an artist and gamer, I have always found video games to be a form of philosophy – sharing one’s interpretation of life through a programmed space. As technology has broadened how we experience games, it has been exciting to see what aspects of life are being included in virtual environments. This screen capture references the conversation of repatriation. The point of the game takes place in a mansion. I could not help but think about the possible scenarios of how this work entered this virtual home and if repatriation should be reconciled in virtual narratives as well. I am still working on identifying the works referenced in this image. Any assistance will be greatly appreciated. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1672719830222-66ZF07QMDTDTAM228MCK/scottfelder_earlybird_01.jpg Digital https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1672719835072-DL8NZHQWQANXFMBRQ0H9/scottfelder_vsworld_02.jpg Digital https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1672719830652-2OJWASP6BYWPKDHZMXRV/scottfelder_ladiesroom_03.jpg Digital https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1672719833749-BNT4K4SFI912OSR10Y1G/scottfelder_nightcitystreetrainynight_05.jpg Digital http://www.jessicascottfelder.com/vicarious-engagement daily 0.75 2019-06-27 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1559520668753-27B5OW3QRIG6L6B2J2MQ/Vicarious+Engagement+1003.jpg Vicarious Engagement https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1559520668753-27B5OW3QRIG6L6B2J2MQ/Vicarious+Engagement+1003.jpg 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Le Flash, Atlanta, GA. 2010. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1559520830707-U9GZYRPZD05AZV0956YU/Vicarious+Engagement+1023.jpg Performance - Vicarious Engagement Swan House Gallery, Atlanta, GA. 2016. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394258803578-1WO0DMT9WQY4AY4RWW7M/DSC_0705.jpg Performance - Living Ancestor / Event Space Telfair Museum, Savannah, GA. 2013. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541025808245-L1E0RRB52Z59DPDJB5OD/Black+Matter+36.jpg Performance - #BlackGirlMagic While Contemplating the Universe Agnes Scott College, Atlanta, GA. 2016. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1561388915485-2JOXDA7R0NB1KJXRF6V1/Adornment+11.jpg Performance - Adornment Spelman College Art Museum, Atlanta, GA. 2016. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1561581084435-P7ZF3FKQFBCM0M6SCZRQ/Lady%2Bin%2BBlack.jpg Performance - Lady in Black Studio Clout Gallery, Atlanta, GA. 2009. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1561386837890-SAPHHOZ5IGCHZ5CTOQ6P/Screen+Shot+2019-06-24+at+10.31.10+AM+copy.jpg Performance - Face Beat Swine Gallery, Chattanooga, TN. 2016. http://www.jessicascottfelder.com/drawings daily 0.75 2019-06-27 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1403842261185-FVQACJVZQNS5GTDIYW6U/6_ScottFelder_Jessica.jpg Drawings - Silver / Gold Point https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394260703002-BMWU8665X76J5XJ45DJR/Gold+Chairs+Nothing+But+You.jpg Drawings - Gold Chairs https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1394259414244-JGKWYBBK56XOOP9RWJXP/Chairs+Installed+Studio.jpg Drawings - Chairs http://www.jessicascottfelder.com/installation-1 daily 0.75 2021-11-21 https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1559520830707-U9GZYRPZD05AZV0956YU/Vicarious+Engagement+1023.jpg Installation - Vicarious Engagement Swan House Gallery, Atlanta, GA. 2016. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1541025808245-L1E0RRB52Z59DPDJB5OD/Black+Matter+36.jpg Installation - #BlackGirlMagic While Contemplating the Universe Agnes Scott College, Atlanta, GA. 2016. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1561388915485-2JOXDA7R0NB1KJXRF6V1/Adornment+11.jpg Installation - Adornment Spelman College Art Museum, Atlanta, GA. 2016. https://images.squarespace-cdn.com/content/v1/531954a5e4b03ba2018cfb4f/1561581433872-VG5J94NXXXAX091RMFTZ/11%25252BJScottFelder%25252BIlluminate%25252BConception_3hr%25252BPerformance.jpg Installation - Illuminate Conception Le Flash, Atlanta, GA. 2010. 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